A practice of
looking slowly.

My work begins where observation stops being casual. Each series is an attempt to stay in one place long enough for the place to reveal its weight, its silence, and its duration.

An author's gaze.

I work alone, with a single camera and a slow rhythm. The frames I keep are those that resist being explained in a single sentence. The series emerge from this resistance: months of observation, place after place, until a body of work consolidates and asks for its own form.

What guides the work.

• Duration over capture I prefer to spend a year with a single landscape than a week with many.
• Presence over description The image proposes a way of being in front of what is seen; it does not illustrate.
• Material over speed Each edition is produced to order, with archival materials and exhibition-grade finishes.